Welcome ME as you new computer geek overlord! Muahahaha!
Everything in your life, with the exception of your bodily functions, perhaps, is controlled by computers. What if an evil geek computer genius decided to terrorize the world by taking over all the computers? Sound farfetched? Maybe.
But maybe not.
OK, I called it correctly, this time. Die Hard 4 and Harry Potter are the two movies I will see this summer. And if this review is any indication, I should walk out of this one with the same "Wow! Was that cool, or what?!?" that I left the very first Die Hard, way back in the dark ages of 1987 (or so).
To enjoy "Live Free or Die Hard" requires one imaginative leap of faith -- that it's possible for evil geeks to gain control of anything, from the stoplights in Washington to the power grid that controls the entire Eastern corridor. Quibble with that and have a miserable time, or accept that and, in return, get a film of nonstop interest and incident, where the bad guys control everything and the good guys constantly have to scramble. Two hours and 10 minutes go by in a shot, carried along by some great action sequences, including a fight to the death in an elevator shaft. By playing it old school most of the way, the movie earns the right to a spectacular sequence relying heavily on computer graphics, in which an F-16 attacks a truck being driven by McClane -- and destroys an entire highway.Yep. This is old school Bruce Willis, and definitely cool. And then some.
Ahem. Some reviewers didn't like it. This reviewer sounds like someone who would find fault with "Bambi" just because the deer could talk. Dammit. Not everything needs to be a serious and completely realistic treatment. Reality is just that--shockingly real, and in real life there are few things morally unambiguous. Life is messy and solutions, if any, are depressingly hard to come by.
And you want to saddle your entertainment with all that "it needs to be like real life" bullshiat? No. Hell no. Movies, like novels, are meant to be an escape from the reality of here and now, and to portray worlds where the hero can be a guy (or girl) just like you, and in the end still kick the bad guy's ass.
Is terrorism serious? Of course it is. There will be no good, simple solutions to it. Period. But wouldn't it be nice to think there was some way, any way to defeat the terrorist baddie and win the day? Well, I submit that for 2007, that way is John McClane.
Case closed. Yippi-ki-yay mofo.



